Moon and Trees 2001
Oil on linen
122 x 304.5 cm

Exhibited:
Andrew Browne, Gould Galleries, Melbourne 19 October - 11 November 2001, no.4

Provenance:
Purchased by private collection, Melbourne from the above in 2001

Light Effect, Silhouette 2005
Oil on linen
137 x 396 cm
Signed and dated verso

Provenance:
Purchased by private collection, Melbourne from Gould Galleries, Melbourne in 2005

-

Nude at the Table 1970
Pencil on paper
71 x 38 cm
Inscribed lower right: John Brack 70

Provenance:
The artist;
Thence by descent to Mrs Helen Brack.

Exhibited:
John Brack: Drawings, Etchings, Lithographs. Eastgate & Holst, Melbourne, 10-30 August 2013, no. 11;
The Director’s Choice 2015, Gould Galleries, Melbourne, 1 May – 13 June 2015, no. 16, illustrated.

-

Mounting 1956
Drypoint
27 x 14 cm
Inscribed in margin 11 of 16 John Brack 56

Provenance:
Private collection, Melbourne.

Exhibited:
John Brack: The Race Course Series, Peter Bray Gallery, Melbourne, 5-15 November 1956, no. 22;
John Brack: The Sport of Kings and Other Paintings, Johnstone Gallery, Brisbane, 27 March – 8 April 1957, no. 24;
John Brack: A Retrospective Exhibition, National Gallery of Victoria, 10 December 1987 – 31 January 1988, no. 144;
Twentieth Century Australian Art: A Major Collectors’ Exhibition, Gould Galleries, Melbourne, 25 March – 30 April 2000, Gould Galleries, Sydney, 13 May – 11 June 2000, no.17, illustrated;
John Brack, National Gallery of Victoria, 24 April – 9 August 2009, Art Gallery of South Australia, 2 October 2009 – 26 January 2010, illustrated;
The Director’s Choice 2015, Gould Galleries, Melbourne, 1 May – 13 June 2015, no. 10, illustrated.

Literature:
Ronald Miller, John Brack, Lansdowne Press, Melbourne, 1971, p. 106;
Sasha Grishin, The Art of John Brack, Oxford University Press, Melbourne, 1990, cat. Pr 8, (illustrated).

-

King of the Mountain 2013
High density taxidermy foam, polyester pompoms and glass eyes
106 x 83 x 30 cm

.

Pioneer 2013
High density taxidermy foam, polyester pompoms, glass eyes and artificial rock
73 x 78 x 36 cm

.

Black Flag (Trembling) 2006
Watercolour on paper
107 x 114 cm
inscribed lower left: Black Flag / (Trembling) Self-referencing Machine / IIII IIII
Inscribed verso: Ex de Medici / 2006 Nov/Dec

Exhibited:
Collectable + Exceptional - The Director’s Choice 2007, Gould Galleries, Melbourne, 17 February- 30 March 2007, no. 22, (illustrated)

-

The Barracks 1944
Watercolour and ink
34 x 40 cm
Inscribed upper left: Donald Friend 44 / The Barracks

Provenance:
Private collection, Sydney.

Exhibited:
Director’s Choice 2006, Gould Galleries, Melbourne, 8 February – 12 March 2006, no. 4, illustrated.

-

Portrait Head 2001
Etching ed: 33/46
59.5 x 46 cm
Inscribed in margin 33/46 L.F

Provenance:
Purchased by private collection, Melbourne from Rex Irwin Art Dealer, Sydney in 2001.

Exhibited:
Lucian Freud: Etchings 1946-2004, Scottish National Gallery of Modern Art, Edinburgh, 2 April – 13 June 2004, Abbot Hall Art Gallery, Kendal, The Fitzwilliam Museum, Cambridge, 15 October – 23 December 2004, Waterhall Gallery of Modern Art, Birmingham, 29 January – 2 May 2005, Marlborough Graphics, London, summer 2005, no. 57, illustrated;
The Director’s Choice 2015, Gould Galleries, Melbourne, 1 May - 13 June 2015, no.28, illustrated.

Literature:
S. Figura, Lucian Freud The Painter's Etchings, The Museum of Modern Art, New York, 2007, pp. 92 (illustrated), 138, 142.

-

Untitled (Head)
Ink on paper
31 x 24.5 cm
Inscribed lower right: Joy Hester

Provenance:
Reed Family Collection, Victoria

-

Bewitched 1998
Oil on canvas
244 x 370 cm
Inscribed verso: Nicky Hoberman

Provenance:
Purchased by private collection, Melbourne from Feigen Contemporary, New York in 1999.

Exhibited:
Nicky Hoberman: Bewitched, Galerie Bob van Orsouw, Switzerland, March 1999; Nicky Hoberman, Feigen Contemporary, New York, November 1999; The Director’s Choice 2015, Gould Galleries, Melbourne, 1 May - 13 June 2015, no.26, illustrated.

.

Vovo 2009
Steel armature, cast acrylic resin, dyed cotton, natural & cast turkey, chicken & fish bones, black pearls, garnet
53 x 41 x 44 cm

Provenance:
The Estate of Ms Lillian Hoffman

Exhibited:
Leave No Bone Unturned, Gould Galleries, Melbourne, 2-26 May 2012;
If Pain Persists: Linde Ivimey Sculpture 2004-2012, University of Queensland Art Museum, Brisbane, 3 November 2012 - 24 March 2013.

Literature:
Louise Martin-Chew, Linde Ivimey, University of Queensland Art Museum, Brisbane, pp. 152, 155 (illustrated)

-

Arno 2009
Steel armature, acrylic resin, dyed cotton, natural and cast chicken & fish bones, 24ct gold & ruby
48 x 53 x 35 cm

Provenance:
The Estate of Lillian Hoffman, Sydney.

Exhibited:
Linde Ivimey: Leave No Bone Unturned, Gould Galleries, Melbourne, 2-26 May 2012, no. 17;
The Director’s Choice 2012, Gould Galleries, Melbourne, 19 July - 31 August 2012, no 30, illustrated;
If Pain Persists: Linde Ivimey Sculpture 2004-2012, University of Queensland Art Museum, Brisbane, 3 November 2012 - 24 March 2013.

Literature:
Louise Martin-Chew, Linde Ivimey, University of Queensland Art Museum, Brisbane, p. 16 (illustrated), 22

-

Untitled 2001
Ochre on linen
84 x 94 cm
Inscribed verso: Kitty Kantilla / Fire / Rain / 666-01

Provenance:
Purchased by private collection, Melbourne in 2001.

Exhibited:
Kitty Kantilla, Aboriginal and Pacific Art, Sydney, 29 November – 22 December 2001, no. 11;
The Director’s Choice 2015, Gould Galleries, Melbourne, 1 May – 13 June 2015, no. 27, illustrated.

-

Pierre Climbing 2008
Oil on linen
45 x 40 cm

Provenance:
Private collection, Sydney from Eva Bruer Gallery in 2008

-

Skull II 1996
Synthetic polymer paint on paper
65 x 47 cm
Inscribed in margin: Skull 2 1996 #18 David Larwill

-

Waving Boy
Screenprint Ed: A.P
76 x 56 cm
Signed, dated and titled in lower margin

-

Littoral Zone 9 2022
Oil on linen
168 x 183 cm

.

Littoral zone 6 2022
Oil on linen
137 x 168 cm

.

Half Light 1 2019
Digital pigment print on cotton rag
120 x 160 cm

.

Sea 10 2018
Oil on linen
153 x 183 cm

.

Leda and Swan 1960
Polyvinyl acetate on composition board
91.5 x 122 cm
Inscribed lower right: N
Inscribed verso: LEDA + SWAN 1960 / To NEWCASTLE 59 / FOLKSTONE

Provenance:
The artist;
Thence by descent to Lady Mary Nolan;
Corporate collection, Melbourne.

Exhibited:
Probably, Sidney Nolan: Leda and the Swan and other recent work, Matthiesen Gallery, London, 16 June – 16 July 1960, no. 27-29;
Nolan, Hatton Gallery, University of Durham, Newcastle-upon-Tyne; Graves Art Gallery, Sheffield; Temple Newsam House, Leeds; Ferens Art Gallery, Hull; City Art Gallery, Bristol; Walker Art Gallery, Liverpool; Scottish Royal Academy, Edinburgh; City Art Gallery, Wakefield, March-November 1961, no. 59;
Sidney Nolan: 1937 to 1979, Arts Centre, New Metropole, The Leas, Folkstone, United Kingdom, 5 May – 3 June 1979, no. 40, illustrated;
Possibly, Waddington Galleries, London (label attached verso)
Possibly, Agnew's Gallery, London (label attached verso)
The Director’s Choice 2015, Gould Galleries, Melbourne, 1 May – 13 June 2015, no. 13, illustrated;
Sidney Nolan: Myth Rider, TarraWarra Museum of Art, 4 December 2021 - 6 March 2022, Illustrated

Literature:
Nolan, University of Durham, United Kingdom, 1961, no. 59.

-

Untitled (Girl) 2005
Fabric painting
152.5 x 101.5 cm

Provenance:
Uplands Gallery, Melbourne;
Private collection, Melbourne, purchased from the above in 2005

My Mother Seated 1993
Etching: ed 6/25
29 x 23 cm
Inscribed lower right: Celia Paul

Provenance:
Purchased by private collection, Melbourne, through Marlborough Fine Art, London in 1994

Steve 1993
Etching: ed 4/25
29 x 23 cm
Inscribed lower right: Celia Paul

Provenance:
Purchased by private collection, Melbourne, through Marlborough Fine Art, London in 1994

Humming ground (day’s end) 2019
Oil on canvas
152.0 x 121.0 cm
inscribed verso: Valentina Palonen '19

Exhibited:
The Land of the Green Ghosts, Hazelhurst Arts Centre, Gymea, 15-25 June 2019

.

The Gathering 2019
Oil on canvas
122 x 122 cm

.

The Circle 2018
oil on canvas
122.0 x 122.0 cm
inscribed verso: Valentina Palonen '18

Exhibited:
The Land of the Green Ghosts, Hazelhurst Arts Centre, Gymea, 15-25 June 2019

.

The Hum at Twilight 2019
Oil on canvas
152 x 121 cm

M-fiftytwo 2022
Painted aluminium
165.5 x 237.5 x 50 cm

.

M-fortynine 2020
Stainless Steel
83 x 86 x 82 cm

.

Cloudy Day 2011
acrylic and oil on linen
152.5 x 154 cm
Inscribed verso: Mark Rodda ‘Cloudy Day’ oil & acrylic 2011

Exhibited:
Mark Rodda: Sleeping Giants, Utopian Slumps, Melbourne, 1-23 April 2011

Provenance:
Purchased by private collection, Melbourne from the above in 2011

Rest (The Sleeping Hermaphrodite after Anon (ancient) and Bernini 1620) 2018-21
Reclaimed needlework, lace-pins, nylon tulle, beading-pins, archival mount board
135 x 190 cm

.

Pearl (after Vermeer c.1665) 2017-18
Reclaimed needlework, lace-pins, beading pins, cotton-velvet, nylon tulle, on archival mount-board
73 x 102 cm

.

Lover’s Eye (after Vermeer c.1665) 2018-19
Reclaimed needlework, lace-pins, beading pins, cotton-velvet, nylon tulle, on archival mount-board
73 x 102 cm

.